Anyone who directs a movie about the converging efforts of Pope St. John Paul II and Ronald Reagan to take on the Soviet Union is someone I’m interested in talking to. But Robert Orlando isn’t just anyone to me.
Krzysztof Zanussi on Our God’s Brother, Adam Chmielowski, Pope John Paul II, and how he discovered Christoph Waltz.
Karol: A Man Who Became Pope isn’t the first TV movie on the life of Karol Wojtyla, the future Pope John Paul II — but among the new crop of Pope movies coming in the wake of the Holy Father’s death, it’s not only the first, but also the only one seen and praised both by Benedict XVI and John Paul II himself.
In the crowd of TV documentaries on the life of Pope John Paul II, there is Witness to Hope, and there is everything else.
Not to be confused with the identically named 1984 Herbert Wise film starring Albert Finney, Pope John Paul II is the first — so far the only — dramatic presentation to do anything like justice to the life and reign of the 20th century’s most popular pope.
Pope John Paul II gets the A&E Biography treatment in Pope John Paul II — Statesman of Faith, a 50-minute documentary made in 1993 focusing particularly on the Holy Father’s crusades against totalitarianism and violence.
The story is propelled by ordinary (though sometimes philosophically elevated) dialogue, and a mysterious character in the play, Adam, becomes a simple priest — a rather Wojtyla-like priest, actually, who takes the young people of his parish on nature hikes in the mountains.
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